Currently installed at Tate Liverpool, and both a progression from the traditional public library and a mysterious hybrid of the Internet, Maisie Ridgway evaluates The Serving Library… In recent years, artists and curators...
Exploring pre-Vivaldi Venice, Metadesign and male identity through contemporary dance, this year’s Cornerstone Festival at Liverpool Hope University is a truly diverse one, finds Heather Garner… Tonight, Liverpool Hope University’s Creative Campus opens its doors to...
Just what does ‘Schriftfilme’ mean? And how exactly do you present a traditional film archive in a contemporary gallery space for a new audience? Jack Roe visits FACT’s new ‘type in motion’ exhibition to find out…...
Barbara Kruger and Cindy Sherman were her peers, but little is known about multimedia artist Gretchen Bender. C. James Fagan visits a new retrospective at Tate Liverpool to explore Bender’s backlash against “immoral consumerism”… Plato...
Metafiction, media manipulation and Charles Saatchi: Linda Pittwood enters the world of artist Jamie Shovlin as they discuss fake archiving and his recent residency at the Bluecoat, Liverpool… Hi Jamie. It’s very nice to...
Charlie Bailey investigates a small but vital force in South Birmingham’s art scene; committed to making contemporary art relevant to the people who live there… “We’re not interested in ‘trauma trawling’. Not in the...
DaDaFest returns this week: bigger, better and with a confident shift in attitude. Jade French speaks to the director, curator and artists involved about what their work has to say about disability in its fullest...
What does the word ‘craft’ now mean? With Grayson Perry and other contemporary artists reclaiming craft as a key part of their practice, Heather Garner reimagines the term, looking for examples of subversion, and...
Blogger? Freelance writer? DaDaFest and The Double Negative are thrilled to invite you to a very special, alternative press event for the Bluecoat’s new exhibition, Art of the Lived Experiment… The arts press...