One year since Federation House became the largest of Castlefield Gallery’s New Art Spaces to date, its occupants were given notice to vacate to make way for new tenants. Nichola Jacques addresses the unfortunate,...
Who better to talk about Surrealist painter Leonora Carrington than her cousin, the Guardian’s Joanna Moorhead? Here, Deborah Laing asks the writer about Carrington’s rich and turbulent life, her relationships, and her legacy…...
‘Planet Earth needs a self-help book, and this is it.’ Mike Pinnington talks to author, writer and editor Shumon Basar about his new book, The Age of Earthquakes, and why the future is...
How do we read and why? Analysing the act through a broad spectrum of media theory, philosophy, literature studies and neuroscience, Grace Harrison considers the idea of language as art form, political tool and “collective force”…...
Scientific research into psychedelic drugs, the everyday miracle of flying and dollar store trinkets: Wayne Burrows talks to Brooklyn-based Californian artist Shana Moulton about the inspirations behind her “hallucinatory” performances and her recent...
Another year older, another year wiser? Sara Jaspan finds a troubling prognosis of digital culture at the 20th edition of FutureEverything festival… Like any milestone birthday, the 20th anniversary of FutureEverything festival seems...
As he unveils a series of candid portraits of international art figures at play in 1990s Greece — including Tracey Emin, Gary Hume and Grayson Perry – we speak to Johnnie Shand Kydd about responsible image making,...
Film meets poetry meets technology: as FACT’s Type Motion exhibition draws to a close, Jay Bernard assesses the changing perception of poetry in an ever increasing digital age… By chance, I caught Helvetica...
Linda Pittwood catches up with the star of the reopened Whitworth Art Gallery about revisiting war and violence in her work, her relationships with power women, and why she’ll never stop collaborating… Linda Pittwood:...