My Cherie Amour
DW Mault writes a (kind of) love letter to Michael Haneke, the creator of Amour, the film which won him a second consecutive Palme d’Or… Haneke, light of my life, fire of my loins....
Biennial 2012: Last Chance to See
Postpone no more – as the end of the Biennial draws near, we sum up what you absolutely can’t afford to miss … How time has flown. This year’s Biennial started mid-September with...
Field Trip #17: Aesthetica Short Film Festival, York
Invited to York by Aesthetica Magazine, we discovered there’s so much more to the city than its Viking heritage… Think of York and your mind conjures … what? The collective conscience probably turns...
Film Podcast #12: Amour
Film Podcast #12: Amour by The Double Negative on Mixcloud DW Mault reviews Austrian film-maker Michael Haneke’s (Hidden, The White Ribbon) new release, Amour. Described by the Guardian as an “effortlessly graceful picture...
Culture Diary w/c 19-11-12
Monday – Beak> 7.30pm @ The Kazimier £8 Featuring the trio of Bristolian musicians Geoff Barrow (Portishead), Billy Fuller and Matt Williams, Beak> released their eponymous debut album in 2009. Boasting an impressively...
Homotopia: Habibi Problem
Andy Johnson explores a moving true story of love, pain and persecution, under the umbrella of one of our most successful festivals … Homotopia, the international festival of queer arts and culture, is now...
Barbara and The Berlin School
Barbara, the new film from The Berlin School’s Christian Petzold, raises age-old questions, finds DW Mault… Cinema has a tendency to eat itself, with a constant search for the new, the exotic. The...
Designival – Previewed
Next week sees the arrival of Designival, a showcase for cutting-edge local talent and a chance to rub shoulders with some icons of design … Don’t let anybody tell you Liverpool has no...
Studio Series: Interactive LSAD
Software and interactive tech teacher Andy Freeney shows us around the Digital Media Studio at Liverpool School of Art and Design … Hi Andy! Please describe your studio space. It’s on the second...