As her new installation is revealed at FACT for Liverpool Biennial, we speak to pioneer of the French New Wave: award-winning filmmaker, photographer and artist, Agnès Varda… On using triptychs in her work:...
With his latest psychological thriller, Personal Shopper (2016), debuting on Netflix UK recently, Mike Pinnington takes an opportunity to look back at French director Olivier Assayas’ 1996 breakout success: his ‘very meta’ Irma Vep…...
How can Denis Villeneuve’s new Blade Runner 2049 live up to Ridley Scott’s original? A film that took Philip K Dick’s famous source novel, and went on to spawn its own mythology, as...
What would happen if Blade Runner’s Voight-Kampff test – a polygraph-like machine used to determine its subject’s humanity – was applied to the cinematic form itself? Nik Glover dons his best Deckard trench...
What’s Left? A Century in Revolution at Tyneside Cinema Newcastle marks the centenary of the 1917 October Revolution in Russia. Mike Pinnington interviews programme curator Úna Henry to find out how the films examine global...
Ahead of its screening tonight, as part of Liverpool International Festival of Psychedelia’s PZYK CINEMA, Aoife O’Brien profiles director Don Sharp’s hallucinatory, silly and sensory British horror film… Unveiling a programme of PZYK CINEMA back in August with...
Channel 4’s Random Acts have gained a reputation for commissioning experimental, challenging and downright weird short films. As an exhibition of 200 works by some of its most talented, 16—24 year old filmmakers...
In possibly our biggest Big Interview yet, Jack Roe interviews Hollywood superstar and self-confessed “slacker” Woody Harrelson about his insanely ambitious directorial debut: shot in one take over 14 locations and broadcast live...
Mike Pinnington reviews a film covering an astonishingly fruitful period in Russian art, that also gets to the core of a dark and brutal period in the country’s history… “Art is the most...