End of the World Film Club #5: The Black Power Mix Tape 1967 – 1975
“We have to document our history; if we’re gonna tell the story, let’s tell the story right.” Join us for our next End of the World Film Club, in which we turn our...

“We have to document our history; if we’re gonna tell the story, let’s tell the story right.” Join us for our next End of the World Film Club, in which we turn our...
“Saying ‘no’ is more important than breathing in Tehran.” Join us for our next End of the World Film Club, in which we turn our attention to first time director Ali Soozandeh’s Tehran...
“People were hurt because of my work, and I’m afraid it could happen again…” Join us for our next End of the World Film Club, in which we’ll watch and discuss Francis Ford...
Boxes and their contents – figurative and otherwise – loom large in both Stanley Kubrick’s 2001: A Space Odyssey and Andrew Kötting’s The Whalebone Box, finds Lee Ashworth… Open the box! Open the box! Open the...
“There are no heroes anymore, Bishop.” Join us for our next End of the World Film Club, in which we’ll watch and discuss John Carpenter’s masterful cult classic, Assault on Precinct 13… A...
“Would you die for her?” “I would, but, er, I’d rather live.” Join us for our inaugural End of the World Film Club, in which we’ll watch and discuss Powell & Pressburger’s classic romantic...
“There is tension between the real and the virtual, the authentic and the simulated.” Lee Ashworth searches for the authentic in the choppy waters of narrative cinema… The Lighthouse (2019) is one of...
As evidenced by his latest outing Sorry We Missed You, director Ken Loach has lost none of his instinct for urgent, humane cinema, finds Mike Pinnington… Come the closing scene of Ken Loach’s latest...
Christopher Burns takes a breath after all the cathartic screaming and communal burning to analyse this year’s hit horror – as the 171-minute directors cut, DVD and Blu-ray are released… [WARNING: contains spoilers] Has...