Film Podcast #24: A Liar’s Autobiography: The Untrue Story of Monty Python’s Graham Chapman by The Double Negative on Mixcloud DW Mault reviews this ‘factually incorrect’ animated biography of Graham Arthur Chapman, one...
DW Mault considers Cate Shortland’s second feature, Lore, and much more besides… Someone brighter and sharper than myself once told me that Language (in whatever form), is strange and uncanny; the way it’s...
Film Podcast #23: Lore and Mea Maxima Culpa by The Double Negative on Mixcloud DW Mault reviews Second World War thriller Lore (2012) and documentary on sexual abuse in the Catholic Church, Mea...
As Lift-Off Film Festival hits the cities screens, Rachael Jones is looking forward to 15+ hours of cinema … Founded in 2011, by up and coming independent filmmakers Ben Pohlman and James Alexander, this...
Film Podcast #22: The Paperboy and Cloud Atlas by The Double Negative on Mixcloud DW Mault reviews Lee Daniels’ violent thriller The Paperboy, and sci-fi mystery drama Cloud Atlas. In Daniels’ (Precious) The...
DW Mault on BFI doc. From The Sea To The Land Beyond, and Liverpool’s unique relationship with its coastline… The sea is a master that fears no one but instills in everyone who...
DW Mault on Ursula Meier’s Sister, screening tonight as part of FACT’s Discover Tuesdays… Scattered noise and its opposite number does strange things to a consciousness. The noise is in fact the noise...
Film Podcast #21: Bullhead by The Double Negative on Mixcloud DW Mault reviews Michaël R. Roskam’s Belgium crime drama Bullhead, and Hirokazu Koreeda’s Japanese coming-of-age drama, I Wish. In Bullhead, a young Limburg cattle farmer...
No is a film which looks at advertising through the prism of politics and propaganda, says DW Mault… Joy is an integral part of the cinematic experience, but because of the nature of...