Staring Into The Abyss: Anselm Kiefer
It’s the smash hit exhibition making audiences — and critics — swoon. But what did we think of the Anselm Kiefer retrospective at the Royal Academy? Laura Robertson finds Herzog, Van Gogh and...
It’s the smash hit exhibition making audiences — and critics — swoon. But what did we think of the Anselm Kiefer retrospective at the Royal Academy? Laura Robertson finds Herzog, Van Gogh and...
Currently installed at Tate Liverpool, and both a progression from the traditional public library and a mysterious hybrid of the Internet, Maisie Ridgway evaluates The Serving Library… In recent years, artists and curators...
Exploring pre-Vivaldi Venice, Metadesign and male identity through contemporary dance, this year’s Cornerstone Festival at Liverpool Hope University is a truly diverse one, finds Heather Garner… Tonight, Liverpool Hope University’s Creative Campus opens its doors to...
Just what does ‘Schriftfilme’ mean? And how exactly do you present a traditional film archive in a contemporary gallery space for a new audience? Jack Roe visits FACT’s new ‘type in motion’ exhibition to find out…...
Adam Scovell looks forward to the next Silent Liverpool event, showcasing the tragicomedy of Larry Semon and the avant-garde choreography of Maya Deren… Silent film is a description that is at once a...
What’s hot this week? Our pick of the listings from around Liverpool and the rest of the UK… Monday –Invasion of the Body Snatchers Re-issue (1956/2014) 6pm @ FACT, Liverpool — £10/8 Regularly...
Barbara Kruger and Cindy Sherman were her peers, but little is known about multimedia artist Gretchen Bender. C. James Fagan visits a new retrospective at Tate Liverpool to explore Bender’s backlash against “immoral consumerism”… Plato...
Metafiction, media manipulation and Charles Saatchi: Linda Pittwood enters the world of artist Jamie Shovlin as they discuss fake archiving and his recent residency at the Bluecoat, Liverpool… Hi Jamie. It’s very nice to...