End of the World Film Club #6: The Double-Bill
Join us for our next End of the World Film Club, our first double-bill, in which we’ll watch and discuss a pair of films by two heavyweights of international cinema… As of this...
“We have to be uncomfortable in order to grow” – Interview: Kiara Mohamed
Finding a creative energy during lockdown, artist Kiara Mohamed speaks to us about his new short film, Home, and the photography series, Black People Built Liverpool… The Double Negative: Hi Kiara. First off, how...
Photographs from Another Place: In search of Sydney J. Gearing
When an artist purchased some century-old glass negatives online, he couldn’t have imagined the journey they would take him on. Mike Pinnington investigates the haunting of Alan J. Ward… “I confess that I...
“Diversity is crucial to evolution” – How an embedded approach to contemporary art engages communities in the North West
“If the arts cannot reflect a diverse range of backgrounds, they simply will not represent who we are as a country.” Bob Dickinson explores the region’s embedded arts organisations… If there’s one clear...
End of the World Film Club #5: The Black Power Mix Tape 1967 – 1975
“We have to document our history; if we’re gonna tell the story, let’s tell the story right.” Join us for our next End of the World Film Club, in which we turn our...