When an artist purchased some century-old glass negatives online, he couldn’t have imagined the journey they would take him on. Mike Pinnington investigates the haunting of Alan J. Ward… “I confess that I...
“If the arts cannot reflect a diverse range of backgrounds, they simply will not represent who we are as a country.” Bob Dickinson explores the region’s embedded arts organisations… If there’s one clear...
“We have to document our history; if we’re gonna tell the story, let’s tell the story right.” Join us for our next End of the World Film Club, in which we turn our...
“The strength of this exhibition lies in its artists’ confrontations of the intimacy of home.” Nina Hanz reviews online exhibition, Small Talk, My Animal… I am writing this from the kitchen table, working...
“Watching the film, you become entirely present.” Mike Pinnington finds time to breathe, with a new artwork from David Blandy… “Hi guys. I’ve been thinking about making a film about flying.” So begins...
“Saying ‘no’ is more important than breathing in Tehran.” Join us for our next End of the World Film Club, in which we turn our attention to first time director Ali Soozandeh’s Tehran...
Helping you get creative in the strange new normal… Recently, we were invited by the brill Writing on the Wall to take part in their Enterprise Hub (via Zoom, natch), to talk about...
“People were hurt because of my work, and I’m afraid it could happen again…” Join us for our next End of the World Film Club, in which we’ll watch and discuss Francis Ford...
Boxes and their contents – figurative and otherwise – loom large in both Stanley Kubrick’s 2001: A Space Odyssey and Andrew Kötting’s The Whalebone Box, finds Lee Ashworth… Open the box! Open the box! Open the...