Culture Diary w/c 09-04-12
Monday – Breakfast Club/Pretty In Pink @ FACT 8pm At his peak, Writer/Director John Hughes launched many a career and left an indelible mark on a generation, introducing us to the likes of...
Monday – Breakfast Club/Pretty In Pink @ FACT 8pm At his peak, Writer/Director John Hughes launched many a career and left an indelible mark on a generation, introducing us to the likes of...
Especially for Easter weekend, Marc Hall takes a look at music’s long-running relationship with religion, with particular reference to JC… As with its Christmas sibling, Easter is a holiday gifted to us in-part...
Liverpool filmmaker DW Mault on the importance of time and space to breath in modern-day cinema… The codes of commercial cinema have become so ossified, offering so much less scope for interpretative pleasure...
Emma Sumner finds darkness and light in a pair of photographic exhibitions depicting the horrors of war… Richard Mosse’s work was first introduced to me last year; on hearing that he was to...
When Picture House At FACT announced Into The Abyss would be followed by a Q&A with its director Werner Herzog, we had to fight volunteers off with a stick. Sarah Creed won out… ...
Third in a new series, we are granted an exclusive and rare insight into the work spaces of some of the region’s most celebrated and emerging talents. This week we visit painter Andrew Foulds...
Get down to Wolstenholme this evening for a typically eclectic arts and music mash-up. Here’s the low-down… If you’ve read about our current artist of the month, Sean Wars, maybe you feel you...
Tuesday 3 – Silent Front/Spitting Cobra/Aeroplane Flies High/Love Among the Mannequins @ The Pilgrim, 7pm, £2 (min donation) The Pilgrim has been hosting some great, cheap gigs of late, with the likes of The Left...
Natalie Pearson looks at films playing into our fears for the future, robo-style… The FACT and body>data>space co-curated Robots and Avatars exhibition taps into our ideas of advancing robotic technologies, and how we may...