My Cherie Amour
DW Mault writes a (kind of) love letter to Michael Haneke, the creator of Amour, the film which won him a second consecutive Palme d’Or… Haneke, light of my life, fire of my loins....

DW Mault writes a (kind of) love letter to Michael Haneke, the creator of Amour, the film which won him a second consecutive Palme d’Or… Haneke, light of my life, fire of my loins....
Film Podcast #12: Amour by The Double Negative on Mixcloud DW Mault reviews Austrian film-maker Michael Haneke’s (Hidden, The White Ribbon) new release, Amour. Described by the Guardian as an “effortlessly graceful picture...
Barbara, the new film from The Berlin School’s Christian Petzold, raises age-old questions, finds DW Mault… Cinema has a tendency to eat itself, with a constant search for the new, the exotic. The...
Film Podcast #11: Argo, The Sapphires and Grassroots by The Double Negative on Mixcloud DW Mault reviews Ben Affleck’s historical drama Argo, Wayne Blair’s musical comedy The Sapphires and Stephen Gyllenhaal’s comedy Grassroots....
We humans seem increasingly incapable of kicking the vampire habit. Long may it continue… Yeah we know Hallowe’en has come and gone, but seeing Nosferatu with a wonderful live score from Minima earlier...
Wu Tsang’s first feature Wildness is a confident, touching and highly promising one, finds Justin Lewis… Filmmaker, artist and activist Wu Tsang was praised earlier this year in the Whitney Biennial and Outfest in...
The Creator, a film about Alan Turing, was conceived by the only filmmakers who could have made it, says Laura Brown… History is what those who have power write down. Poor you if...
DW Mault on new film Room 237, and the continuing enigma of, and fascination with, Stanley Kubrick… Cinema from its birth has welcomed mystery; what Freud called the sense of the other, the...
DW Mault finds beauty and truth in the existentialism of Rust And Bone… It seems a perfect time to be discussing the death of Anglo-Saxon narrative cinema, the morning after the announcement of...