The Interpretation Matters Handbook -- Reviewed

Art For Everyone? The Interpretation Matters Handbook — Reviewed

24/07/2015

Dany Louise goes head-to-head with wordy, confusing and alienating ‘artspeak’, finds Aoife Robinson, and as a result, gives us the confidence to take control of our gallery experiences… ‘X’s creative act of dissolution combines stillness and...

Geta Brătescu: Hypostasis of Medea (1980)

“An inherent playfulness alongside a total commitment to drawing”: Geta Brătescu — Reviewed

20/07/2015

Artist, illustrator, printmaker, performer: Jack Welsh discovers an exceptionally varied and prolific body of work spanning sixty years at Tate Liverpool’s Brătescu retrospective… What significance does the studio hold for an artist? Some artists...

Build Your Own: Tools for Sharing at FACT

“It’s art for the people, by the people”: Build Your Own: Tools for Sharing — Reviewed

16/07/2015

Jade French considers the joys and difficulties of showcasing contemporary, innovative and collaborative community arts in the gallery space… 3D printed prosthetic hands, an Internet of Things machine and a backyard casting factory:...

Royal Academy Summer Exhibition 2015: courtesy Rikesh Sudra @Rikesh_Sudra

Selfies For Souvenirs: Photography Now Welcome At The Royal Academy

15/07/2015

To selfie or not to selfie? Bhavani Esapathi attends her first Blogger and Instagrammer Evening at one of the UK’s most traditional art spaces, and wonders if other galleries should be taking the...

Antony Gormley: Another Place (detail).  Image courtesy Pete Goodbody

Antony Gormley In Conversation: Iron Men At 10

09/07/2015

As Another Place celebrate its 10th anniversary, Antony Gormley speaks out about “invading somebody else’s beach”, how public attitudes change, and his irritation with art history, finds Pete Goodbody… We are here in the...

Jennet Thomas: Maggie (close up)

Jennet Thomas’s THE UNSPEAKABLE FREEDOM DEVICE — Previewed

02/07/2015

Deborah Laing looks forward to the Grundy’s new and provocative exhibition – a space for satirical encounters, discussion and performance… Experimental film and installation artist Jennet Thomas joins writers, critics, art historians, theorists and...

Real Painting at Castlefield Gallery: Foreground – Simon Callery, Wiltshire Modulor ll, 2010 Background – Adriano Costa, Piece, 2014

Paint, Activated: Castlefield Gallery’s Real Painting — Reviewed

30/06/2015

On visiting Castlefield’s new show, Daniel McMillan finds artists that shed the illusory surface of painting in favour of the actuality of the ‘stuff’ from which it is comprised… “One must remember that writing...

Untitled, 1950.  Photograph by Hans Namuth Courtesy Center for Creative Photography, University of Arizona © 1991 Hans Namuth Estate

Portrait Of An American Dream: Jackson Pollock & Glenn Ligon Revealed

29/06/2015

Tate Liverpool’s summer show re-evaluates the archetypal heroic American artist, finds Laura Robertson; a presentation that wrestles with its tragic past and troubling present… Where is there to go once you’ve reached the top?...

Forum (detail) Rome, by Robert Walker

“I like things that have a bit of texture and substance”: Robert Walker’s The Classics

25/06/2015

Sara Jaspan meets the latest artist to grace the book-lined walls of the The Portico library in Manchester, and finds herself transported to city streets of a more sun-kissed variety… The Portico library is...

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