Joanne Lee, Witches Knickers (2015), detail

A Green And Pleasant Land? Rural Reality Questioned At The Harris

26/08/2015

How do we understand our relationship with our rural peripheries? Sue Flowers considers a mix of creative responses to the British countryside at the Harris Museum and Art Gallery, and finds stereotype and complexity hung side-by-side… On...

Sir Eduardo Paolozzi, 1924-2005, I was a Rich Man's Plaything (detail) (1947). Printed papers on card, 359 x 238 mm © The estate of Eduardo Paolozzi. Image courtesy Tate

A Guide To Pop Art: Paolozzi And The Original Young British Artists

25/08/2015

Who really invented Pop Art? Mike Pinnington finds that a group of young British artists, architects and critics — pre-dating Warhol — are to thank for activating a phenomenally successful art movement… Pop Art: today’s visual...

Louise Bourgeois: Mamelles 1991, cast 2001 (Louise Bourgeois Constellation) © Tate Liverpool, Roger Sinek

Chosen By The Curator: Lauren Barnes’s Favourite Constellations

21/08/2015

Bubblegum pink breasts and wonky vitrines: Assistant Curator Lauren Barnes talks us through her favourite works in Tate Liverpool’s brand new (and free) national collection show… Promising more than 150 iconic artworks from the 20th...

Dr John Cooper Clarke

“As acerbic and honest as ever”: John Cooper Clarke (Live) — Reviewed

18/08/2015

Sue Flowers finds the Bard of Salford in top form as he plays a low key gig in Yorkshire: satirising the BBC, dementia and the gentrification of Manchester… The place is Bentham, North...

(detail) Sir Eduardo Paolozzi, 1924-2005 Sack-o-sauce 1948 Printed papers on card 356 x 264 mm © The estate of Eduardo Paolozzi. Image courtesy Tate.

Chosen By The Curator: Darren Pih’s Favourite Constellations

11/08/2015

From surreal masquerade to a Jackson Pollock parody, Exhibitions and Displays Curator Darren Pih talks us through his favourite works in Tate Liverpool’s brand new (and free) national collection show… Promising more than 150 iconic artworks...

Giant Maggie head in Winter Gardens: Jennet Thomas, THE UNSPEAKABLE FREEDOM DEVICE, until 22 August 2015 at the Grundy Gallery, Blackpool

A Direct Attack On Conservative Party Politics? Jennet Thomas — Reviewed

11/08/2015

Artistic coalitions and satirical encounters: Deb Laing finds that artist Jennet Thomas cuts a fine political line at the Grundy Art Gallery, and all the better for it… A Margaret Thatcher impersonator, acting as...

Andrew Salomone: Ravenous Apparitions. PLY, Manchester 2015

“It’s fun working on things that don’t necessarily mean anything” — The Big Interview: Andrew Salomone

07/08/2015

Hacking, Youtube tutorials and animated pizzas: Andrew Anderson meets a New Yorker obsessed with the possibilities of merging accessible technology with traditional craft and DIY skills… Andrew Salomone isn’t an artist who tells you...

Charlotte, wife of Jack Cooper with infant 22 April 1923 © Estate of Fred Shaw, courtesy of Gypsy Lore Society Archive, University of Liverpool

Celebrating The Outsider: Helen Sear And Fred Shaw — Reviewed

28/07/2015

A celebration of the outsider? At the Victoria Gallery & Museum, Ruth White finds two photographers, separated by more than 100 years, find common ground in their ostracised subject matter… Visit the Victoria Gallery...

See We Want People Who Can Draw: Instruction and Dissent in the British Art School at Manchester Metropolitan University, Special Collections Gallery, until Friday 31 July 2015. Images courtesy of David Penny and Manchester Metropolitan University Special Collections

“Free speech my arse”: We Want People Who Can Draw — Reviewed

24/07/2015

‘Nice rebellion, welcome in’: Liz Mitchell visits a provocative and timely exhibition challenging all those who care about the state of art education, now and in the future… It’s quiet in the Special Collections Gallery...

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