Last week saw the 2018 edition of the Stack Awards, which recognises the world’s “most exciting and inspiring independent magazines.” Jacob Charles Wilson reports on the night’s winners… Fame and fortune are hard...
On the eve of the Bauhaus centenary, Tate Modern celebrates one of the schools most famous daughters, Anni Albers. Maja Lorkowska investigates an exhibition that puts weaving centre stage… It isn’t every day...
What histories, memories and hopes does a place hold? And how can what we do now shape the future? C. James Fagan ruminates on performance piece TORCH… I’m travelling to St Helens in...
Fairies, gods and ‘thin places’ exist at Speke Hall, finds Stephanie Gavan; all you’ve got to do is look up and listen… Arriving at the visitor centre, I am handed a map of...
In an all-embracing long read, Jordan Harrison-Twist’s interview with actor John Tueart assesses the long wait for the limelight – via meal deals and Beckett… If we can write off egg butties, for...
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A pair of new exhibitions opening at Tate Liverpool next week feature artists keenly aware of their times, and their responsibilities to them. Mike Pinnington looks at the artists’ approaches to reflecting the...
How are bodies addressed in a gallery setting? Well, that depends entirely on whose body it is, says Laura Harris… It is a Friday evening in early September, and the London art scene...
In this group exhibition inspired by George Orwell’s always-relevant novel of dystopia, Joe Fenn finds artworks that prick our greatest fears, while warning against complacency… Given the extensive liberties and luxuries likely available...
Perma-skint, exhausted, disenfranchised… We need to talk about why working class people aren’t getting ahead in the arts. And as we rarely hear directly from working class people themselves about the obstacles they...