The Big Interview: Tim Marlow
How important is painting in a century increasingly dominated by digital media? We spoke to White Cube gallery’s director of exhibitions and John Moores Prize 2014 judge Tim Marlow… The Double Negative:...

How important is painting in a century increasingly dominated by digital media? We spoke to White Cube gallery’s director of exhibitions and John Moores Prize 2014 judge Tim Marlow… The Double Negative:...
Fancy your chances of being in the company of Richard Hamilton, David Hockney and Peter Doig? Read on… When Sarah Pickstone’s Stevie Smith and the Willow (above) was announced as the winner of...
What do you look for in an MA? Conversation, critique, contact time and inspirational tutors, say artists studying and teaching Fine Art at LJMU … Wandering around the new labyrinthine project spaces at...
Wondering how the year ahead looks in visual arts? Wonder no more… While we’re all huddled around steaming cups of tea, cowering from the inches of snow we’re reliably informed awaits us, it’s...
Monday – Natalie McCool Dust & Coal single pre-release Taken from her forthcoming debut album, Dust & Coal is a further example of the sophisticated and multi-layered pop we’ve come to expect as...
Monday – Beak> 7.30pm @ The Kazimier £8 Featuring the trio of Bristolian musicians Geoff Barrow (Portishead), Billy Fuller and Matt Williams, Beak> released their eponymous debut album in 2009. Boasting an impressively...
Linda Pittwood considers the talks, discussions and tours at the Walker Art Gallery on contemporary painting, as part of this weekend’s John Moores Painting Prize summit … Artist Patrick Heron wrote in 1963: “Painting still has a...
Welcome to the first in an occasional, and some would say gossipy, bulletin rounding-up our Biennial experience… Today saw the official opening of Biennial 2012, the seventh edition of the largest international contemporary art...