One of the world’s top artist-led galleries celebrates 10 years — including a summer exhibition with previously exhibited artists Liliane Lijn, David Sherry, Oliver Braid and Pil and Galia Kollectiv and more – in...
What is an artistic collaborator? Is it someone who decided to “reach out” after scanning your Instagram feed, or can it be someone who has known you since you were born? Orla Foster ponders...
In offering international travel expenses, curatorial mentorships and commissions, Liverpool Biennial is giving artists based in the North just what they need. Jack Welsh speaks to the people involved about how more responsive relationships between...
With very little writing accompanying the photographic essays of Preston is my Paris (PPP), we are left with only the semiotics of images and imagined narratives. Here, Ruth White interprets the publications’ underlying political and social significance…...
C. James Fagan wants to be stimulated by the things he sees in the gallery. But is that what the gallery is for? Here, he ponders the broader purposes and concerns of our contemporary...
Charting our own lives in the framework of individual and national identity: Amelia Crouch assesses the audio and film work of artist Chris Paul Daniels… In Chris Paul Daniels’ 2013 film Premier/Divisions the first voice...
We have asked our critics to name their cultural winners of 2015: who will make the cut? What to say about a year where The Double Negative discussed shame with Jon Ronson? Watched...
Manchester’s museums are finding new international interest in their archives, finds Jon Bottomley — which will be crucial in keeping the doors open back home and investing in our next generation of art stars…...
There is much to get excited about along the Leeds and Liverpool Canal, says Jack Welsh; here, he investigates a huge new arts programme being created — and facing multiple challenges — along...