“Monument is concerned, ultimately, with architecture.” Mike Pinnington on a subtle and thoughtful group exhibition wrestling with the impact on our lives of the built environment… Monument, named for one of curator Gareth...
Earlier this year, the Structurally F–cked report revealed damning evidence of artists’ pay and conditions. At a panel discussion during Middlesbrough Art Week, Mike Pinnington heard how the hard work is only just...
With the dust settling on Liverpool Biennial 2023 – a year marking 25 years of the festival – Addae G reflects on his spiritual encounters with this latest iteration… With the resonance of three days...
“Tt became apparent that these photographs of Pompeii could stand in for Chester.” Stephen Clarke on Up Deva!, an exhibition drawing inspiration from sources as varied as past glories, Frankie Howerd comedy, Up...
As FACT celebrates its 20th birthday, Laura Marie Brown looks back at one of the arts organisation’s definitive projects: when artists from around the world trained residents in Liverpool’s high rise flats to...
It’s been eighteen months since Yorkshire’s creative arts organisation IOU took over a backpackers’ hostel in the Upper Calder Valley. What happened next, for holidaymakers and artists alike? Laura Robertson stayed overnight to...
Vogue, Barbie, and Visual-Kei: after Finnish fashion photographer Ninni West captures our best sides at a shoot in Helsinki, she shares a few secrets about her light-hearted approach, pop-culture obsessions, and how to thrive...
“A celebration of prize-winning artists.” Mike Pinnington reflects on the 2020 & 2022 John Moores Painting Prize China Group Show… There has long been misguided talk about painting having reached the end of the...
“Where does historical examination end and artistic response begin?” Hannah Harry considers an exhibition juxtaposing West Cheshire Museums’ collection with contemporary artists’ responses… The question of how curation affects our way of seeing...