Looking to The Photographers’ Gallery’s annual prize for trends, Jacob Charles Wilson finds that interdisciplinary photography – referencing housing estates, abstract landscapes, ballet dancers and dead cats – is forging the way and keeping the medium...
C. James Fagan revisits Liverpool Biennial and a Turner Prize artist in a brand new venue and town, as part of a special tour. But what can a dog-themed musical tell us about...
“Is part of the power of the legacy of this project because the sculptures didn’t stay?” Four decades since its commission, Anna McNay speaks to the artists involved in a ground-breaking British public...
Taking on a small, beleaguered regional gallery might seem an unusual move for someone more used to V&A or Tate. Curator and now Turnpike Director Helen Stalker, finds Denise Courcoux, is up for the challenge:...
The art and culture sector has huge potential for helping to heal the divisions surfacing across society, finds Sara Jaspan at day one of this year’s No Boundaries. Yet are conferences like this preaching...
Jack Roe speaks to Everyman Theatre Associate Director Nick Bagnall and actor Liam Tobin about how their new rep company is helping the theatre to “steer its own ship”; the relevance of their...
Jacob Charles Wilson considers Wolfgang Tillmans oeuvre 2003–present; depicting hedonism, “horrific” political relevance, and the messy reality of contemporary society… There was a thick fog on my cycle over to Tate Modern; it was...
What does it mean to be lonely? Eli Regan reviews author (and regular frieze contributor) Olivia Laing’s new book, and finds a genre-bending account of human solitude in art… Olivia Laing’s latest book...
Artist Kevin Casey has been documenting the remains and archives of the former-Pilkington Glass HQ in St Helens, whilst moonlighting as an on-site security guard. We asked him to select his favourite shots taken...