A commission in collaboration with ArtReview and Open Eye’s Ukrainian photography exhibition, HOME: Matthew Lloyd considers Elena Subach’s Chairs, the absurdist symptoms of the Ukrainian war, and the haunting displacement of its citizens…...
“A wealth of knowledge, care and skill.” In Hauser & Wirth’s The New Bend, Hannah Hutchings-Georgiou finds an exhibition celebrating and extending an artistic, cultural and social legacy generations in the making… What catches...
What makes us human? What, in the face of end times catastrophe, helps keep us that way? Mike Pinnington considers two recent examples of post-apocalypse drama, with mixed results… Warning: Expect spoilers relating...
We were devastated to learn of the recent passing of our friend and contributor, Pete Goodbody: photographer and cultural philanthropist. Pete, or P3dro, was a talented photographer and writer with a keen interest...
“I wouldn’t paint the walls in my house pink, green and brown, so why do these hues work so well here?” Kathryn Maple’s aptly titled exhibition at the Walker Art Gallery resonates with...
Writers wanted! To celebrate Eurovision 2023, Open Eye Gallery, The Double Negative and ArtReview collaboratively invite writers from the Liverpool City Region to pitch article ideas. Co-published across The Double Negative and ArtReview,...
In the clamour to redress the balance of art history, some will inevitably continue to slip through the cracks. But a new retrospective exhibition suggests that an until now overlooked artist is worthy...
In an essay excerpted from the catalogue for Two Plus Two Makes Four – an exhibition ‘rooted in the lived experience of mental illness’ – Mike Pinnington responds to anxieties found in the...
“The spirit of surrealism is alive and well.” Mike Pinnington on Rachel Goodyear’s Stirrings, an exquisite exhibition of drawings and animation at Salford Museum & Art Gallery… “I began to read the surrealists...