07/04/2012
Once Upon A Time In Anatolia

Once Upon A Time In Anatolia

Liverpool filmmaker DW Mault on the importance of time and space to breath in modern-day cinema… The codes of commercial cinema have become so ossified, offering so much less scope for interpretative pleasure...

06/04/2012
General Fevrier, by Richard Mosse

Richard Mosse: Infra – Reviewed

Emma Sumner finds darkness and light in a pair of photographic exhibitions depicting the horrors of war…  Richard Mosse’s work was first introduced to me last year; on hearing that he was to...

06/04/2012
Into The Abyss

Into The Abyss: A Tale of Death, A Tale of Life

When Picture House At FACT announced Into The Abyss would be followed by a Q&A with its director Werner Herzog, we had to fight volunteers off with a stick. Sarah Creed won out… ...

06/04/2012
Andrew Foulds, The Royal Standard Studios

Studio Series: Andrew Foulds

Third in a new series, we are granted an exclusive and rare insight into the work spaces of some of the region’s most celebrated and emerging talents. This week we visit painter Andrew Foulds...

05/04/2012
Sean Wars Spirit Animals

Spirit Animals – Previewed

Get down to Wolstenholme this evening for a typically eclectic arts and music mash-up. Here’s the low-down… If you’ve read about our current artist of the month, Sean Wars, maybe you feel you...

03/04/2012
Man on Wire

Culture Diary w/c 02-04-12

Tuesday 3 – Silent Front/Spitting Cobra/Aeroplane Flies High/Love Among the Mannequins @ The Pilgrim, 7pm, £2 (min donation) The Pilgrim has been hosting some great, cheap gigs of late, with the likes of The Left...

02/04/2012
ED 209

Robocops and Avatars

Natalie Pearson looks at films playing into our fears for the future, robo-style… The FACT and body>data>space co-curated Robots and Avatars exhibition taps into our ideas of advancing robotic technologies, and how we may...

01/04/2012
Tod Browning's Freaks

The King of Carnivale

Nik Glover on the fine line between horror and tragedy tread by Tod Browning with his film, Freaks… In his 1932, pre-code ‘horror’ Freaks, Tod Browning made the then shocking decision to cast...

30/03/2012
Jen Allanson, Elevator Studios

Studio Series: Jen Allanson

Second in a new series, we are granted an exclusive and rare insight into the work spaces of some of the region’s most celebrated and emerging talents. This week we visit photographer and printmaker...

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