Linda Pittwood considers the talks, discussions and tours at the Walker Art Gallery on contemporary painting, as part of this weekend’s John Moores Painting Prize summit … Artist Patrick Heron wrote in 1963: “Painting still has a...
Bryan Biggs, artist and Artistic Director at the Bluecoat, reflects on Liverpool’s ongoing cultural links with Cologne following a recent visit to the Rhine city… Under the title Eight Days A Week, the...
Adam Scovell finds reasons to be optimistic about the Independents Biennial at Fallout Factory… There’s a wealth of independent shows and projects around this year’s Liverpool Biennial. With the official festival itself being...
We filmed Spanish artist Dora Garcia talking to French (Liverpool based) artist Laurence Payot about the ups and downs of working with the public, and whether performance art is ‘real’ or ‘not real’...
Two works at the Bluecoat move C James Fagan to contemplate time, its passage and how we cling to it… How do you capture a moment, or catch the passing of time? Which...
Ahead of Mercy’s Electronic Voice Phenomena Biennial Weekend (kicking off tonight at Camp and Furnace), we talk ghosts, fanzines and Chicks on Speed with Creative Director Nathan Jones! Hi Nathan! Please describe your...
It’s a question that’s been asked since the dawn of time, well blogging, but just where are the standards in journalism set now? Getting on for a couple of weekends ago, I was...
In the third of our special Biennial ‘in conversation’ series, we pair up cine-inspired artist Ming Wong with director and film critic DW Mault … Ming Wong, born in Singapore and based in...
