“We feel that mark-making is intrinsic to the human condition.” Celebrating contemporary drawing in its many forms from artists both local and global, co-curators of the Drawing(Paper)Show select some of their favourite pieces featuring in...
“Perhaps the most remarkable thing about Wood’s pictures is the humanity so near to their surface.” Mike Pinnington on Photie Man: 50 Years of Tom Wood… Photography is full of dualities. Not least presence...
For the 12th edition of Liverpool Biennial, curator Khanyisile Mbongwa said she had been tasked with using art as a means to “move through the woundedness” of global and local traumas, both past and...
It was announced earlier this year that Tate Liverpool is due to close its doors in October for a major refurb. This week sees the gallery communicate more details about the proposed reimagining...
Writers wanted! The Double Negative is excited to announce its collaboration with Liverpool Biennial to commission a Merseyside-based writer to reflect on this year’s festival, uMoya: The Sacred Return of Lost Things. For Liverpool...
“Like popping candy for the mind.” Mike Pinnington on Chila Kumari Singh Burman’s Merseyside Burman Empire at FACT Liverpool… A riot of colour hits you on arrival. Initially it’s hard for the eyes to...
A commission in collaboration with ArtReview and Open Eye’s Ukrainian photography exhibition, HOME: Matthew Lloyd considers Elena Subach’s Chairs, the absurdist symptoms of the Ukrainian war, and the haunting displacement of its citizens…...
“A wealth of knowledge, care and skill.” In Hauser & Wirth’s The New Bend, Hannah Hutchings-Georgiou finds an exhibition celebrating and extending an artistic, cultural and social legacy generations in the making… What catches...
What makes us human? What, in the face of end times catastrophe, helps keep us that way? Mike Pinnington considers two recent examples of post-apocalypse drama, with mixed results… Warning: Expect spoilers relating...