How have you spent your time during the last 18 months or so? Mike Pinnington reports on an exhibition scrutinising, appropriately, Leerzeit, the German term for Idle Time… The room glows red. It’s...
New exhibition MILQUETOAST has been devised to poke fun at and ask questions of an art world rife with barely hidden hierarchies and cliché. Denise Courcoux finds Bedwyr Williams on impish form… The extravagant absurdity of...
At Open Eye Gallery, Jasmine Gray finds three Australian artists scrutinising the long-lasting impacts of human greed… It’s 31 degrees in Liverpool the day I visit Open Eye Gallery. I enter uncomfortably sunburnt; the intensity...
I AM AFRAID OF SILENCE I AM AFRAID OF THE DARK I AM AFRAID TO FALL DOWN I AM AFRAID OF INSOMNIA I AM AFRAID OF EMPTINESS IS SOMETHING MISSING? YES, SOMETHING IS...
“Artists suffer worst during economic shocks to the arts.” In this essay, Dr Susan Jones analyses the flaws and impacts of an “extreme neo-liberal arts economy”, and offers suggestions for challenging inequities… Contemporary...
What do flags have to say today? The International Slavery Museum’s Dr Richard Benjamin approaches this question via our collective past, and Liverpool Biennial artist Larry Achiampong’s Pan African Flags For the Relic Travellers’...
In a new short fiction commission written exclusively for The Double Negative, author Ben Pester takes inspiration from the work of Liverpool Biennial artist Jenna Sutela – and from imaginary organisms, symbiosis and gestation… We are...
“This work takes time. This work marks time. This work is an eclipse of the past And the present.” In a new commissioned text, poet, journalist, playwright and broadcaster Ian McMillan responds to the sculpture of...
To close our exclusive series published in partnership with the John Moores Painting Prize, Laura Robertson presents a (gross, you have been warned) new short horror story inspired by 2020 China category prize winner, Li...