Richard Mosse: Infra – Reviewed
Emma Sumner finds darkness and light in a pair of photographic exhibitions depicting the horrors of war… Richard Mosse’s work was first introduced to me last year; on hearing that he was to...
Studio Series: Andrew Foulds
Third in a new series, we are granted an exclusive and rare insight into the work spaces of some of the region’s most celebrated and emerging talents. This week we visit painter Andrew Foulds...
Studio Series: Jen Allanson
Second in a new series, we are granted an exclusive and rare insight into the work spaces of some of the region’s most celebrated and emerging talents. This week we visit photographer and printmaker...
Artist of the Month: Sean Wars
Our new Artist of the Month wouldn’t even describe himself as an artist, but don’t let that fool you. WARNING: This feature contains cussing… If you can be sure about a few things...
No Vacancy – Reviewed
There may be no room at the inn, but on this evidence, we’ll always find space for a Young Pine or two… In exhibition No Vacancy, the second project from arts and literature...
Studio Series: Fran Disley
In a new series, we are granted an exclusive and rare insight into the work spaces of some of the region’s most celebrated and emerging talents. We start with artist and printmaker Fran Disley...
Do Avatars Dream of Electric Sheep?
C James Fagan takes a turn as the Public Avatar, and lets us in on an odd, but liberating, experience… People are often sending me emails about this or that; often they invite...
Picture Perfect
Meet Keith W Roberts, a photographer honouring the past, whilst remaining firmly rooted in the now… In 1923, alongside Kenneth Burrell, one E Chambre Hardman, returning from active service at the Khyber Pass,...
Sound Affects: the implications of policy on culture
With the dust barely settling, Gareth Woollam looks at the implications of policy on culture… Listening to the Noise Debate at Static Gallery I realised the wall behind the invited panel hadn’t...