C James Fagan on Daphne Oram, The Radiophonic Workshop and Delia Derbyshire, electronic innovator… There’s something evocative about the name The Radiophonic Workshop that conjures up an image of people literally picking out radio-waves from...
In the final weekend of Biennial 2012, C James Fagan muses on the relative success – or otherwise – of the work at Copperas Hill… One thing we’ve come to expect from the Liverpool Biennial...
C James Fagan was taken on a journey of discovery by FAR… I’ll open with an admission. Until very recently I was unaware that this event was happening. It’s only through a stroke...
Two works at the Bluecoat move C James Fagan to contemplate time, its passage and how we cling to it… How do you capture a moment, or catch the passing of time? Which...
C James Fagan on feeling very much like an unexpected guest at the Cunard building… This piece is the result of two visits to the Cunard Building; when faced with something as large...
C James Fagan talks to writer and academic Vanessa Bartlett who has been commissioned to produce Mercy’s Biennial podcasts… This is it. There’s no denying it, the Biennial is here, announcing itself across...
We asked an artist, a novelist and an art director for their experience of keeping a roof over their heads while working in the arts… Since launching The Double Negative – and to...
There are effigies of One Direction alight in The Royal Standard car-park. C James Fagan braves the flames and investigates… The weather is all over the place today, going from rain to...
Voyage of discovery, or experiment on how to best make use of gallery space? C James Fagan signed up for the Humble Market experience. Is it me, or is it hot in here?...