Search Results for: C James Fagan

Total posts found for "C James Fagan" — 90
23/12/2014
Nightcrawler (2014)

The Double Negative Awards 2014

We may not have a glitzy ceremony, but we do have an esteemed panel of judges. All year, our critics have been travelling the length and breadth of Britain, witnessing the best contemporary (and classic)...

11/12/2014
Brian Catling, Antix2, Art of the Lived Experiment (DaDaFest), The Bluecoat, Liverpool 2014. Image courtesy Jon Barraclough

Brian Catling’s Antix 2 — Reviewed

“He went to bed and bound his head with vinegar and brown paper…” C. James Fagan finds nursery rhymes, alchemy and transformation powering the heart of the Bluecoat’s Art of the Lived Experiment exhibition… For a...

01/12/2014
Chris Evans, 'Berlin Key Mangled', Airbrush painting; originally made to illustrate bulletin 'How to do Words with Things' by Bruno Latour in Bulletins of The Serving Library 3, 2012

The Serving Library: Concentric Process

Tate Liverpool’s interim Head of Exhibitions and Displays, Tamsin Dillon, gives her take on the ‘concentric process’ of The Serving Library’s commissioned cultural bulletins… An airbrush portrait of Wyndham Lewis by Chris Evans; a photograph of...

01/12/2014
Warhol's Exploding Plastic Inevitable

Expand Your Mind: Five Unmissable Tate Liverpool Events

What does Andy Warhol’s Exploding Plastic Inevitable have to do with cinema? And how do you design an international art magazine? We pick five of the best upcoming talks and tours at Tate...

18/11/2014
Gretchen Bender, 1951-2004, Total Recall 1987, 8-channel video installation; 24 monitors, 3 screen projections, colour, sound duration: 18min © Estate of Gretchen Bender. Photo: Jason Mandella, Courtesy of The Kitchen, New York

The Skewed Mirror Of Gretchen Bender

Barbara Kruger and Cindy Sherman were her peers, but little is known about multimedia artist Gretchen Bender. C. James Fagan visits a new retrospective at Tate Liverpool to explore Bender’s backlash against “immoral consumerism”… Plato...

29/08/2014
Ryan Gander, Porthole to Culturefield Revisited (2010)

The White Cube, The Artist And Me

Just who do artists make work for anyway? In an extension of his essay on visitor experience, Biennial 2014: The Space In Between, C James Fagan considers the impact of the white cube...

21/08/2014
Syndrome Sessions 2.1: CHOROS, 24 August 2014

The Glitch Interview: S. J. Fowler

C James Fagan throws the rule book out of the window for his interview with Syndrome’s latest resident artist, poet, performer, and muse, S. J. Fowler… Syndrome is an event; it is a...

29/07/2014
Liverpool Biennial: Claude Parent at Tate Liverpool

Biennial 2014: The Space In Between

Notice anything different? C James Fagan realises that Liverpool Biennial is changing the space around us, and therefore, he argues, the expectation of the visitor… There’s a lot of space in FACT. The artist Sharon...

15/07/2014
Why Be A Critic? Image courtesy Kresge Art Museum. The initial focus of the gallery was to collect 19th and 20th century American art, but this was quickly abandoned because of donations that span all areas of art. Donations facilitated by MSU Art Department faculty member Charles Pollock (brother of Jackson Pollock), and his friend, art critic Clement Greenberg, expand the holdings of modern abstract painting.

Why Be A Critic?

C James Fagan on why anyone would want to be an art critic, and perhaps more importantly, why criticism is needed at all… What is the point of criticism? Why be an Art...