Fréger & Stenram: Juxtaposed
Drawn to a pair of seemingly opposed exhibitions at the Open Eye Gallery, Stephanie Kehoe gets theoretical… Until the past century, a big part of art’s history is that of gender inequality. With...
Introducing: LJMU Fine Artists
LJMU’s Fine Art Degree Show was an unmissable opportunity to speak to the ones to watch, says Kayleigh Davies… This year’s degree show at the LJMU Art and Design Academy showcases an artistic...
Artist of the Month: Katie Craven
Our latest featured artist Katie Craven talks about cuts, connections and collaboration, and how it’s ok to fear the future… Artist and illustrator Katie Craven is incredibly friendly and smiley when we meet for this...
The Big Interview: Rankin
Alive: In The Face of Death, the new high profile show from Rankin, feels something of a departure for the renowned photographer… Cliche though it may be, it’s true what they say about...
The Importance (or otherwise) of Interpretation
Approaching graduation, Darren Murphy is increasingly thinking about how art is presented and interpreted in a gallery context… “Much of the labour of [nurturing the art market] is in the management of the...
Jonathan Harvey’s Beautiful Thing
Ahead of an anniversary performance opening this evening, David L Rattigan interviews Liverpool-born writer and playwright Jonathan Harvey… I’m perched, unceremoniously I admit, on the toilet, paperback in hand. I don’t have an...
The Art of Pop Video – Reviewed
Kayleigh Davies takes another look at FACT’s The Art of Pop Video, which closes later today… The latest marquee exhibition at FACT examines the intertwined relationship between music and art, complimenting the opposite...
They Say It’s Your Birthday:
Tate Liverpool at 25
Tate Liverpool is celebrating its 25th anniversary today. We asked five prominent members of Liverpool’s art scene about their favourite exhibitions hosted by the gallery… Wandering around Tate Liverpool is 25, which chronicles...
My Problem With Photography
The city is awash with photography celebration LOOK/13, but C James Fagan is reluctant to join in… It’s difficult to pinpoint and I’m not entirely sure if I do have a problem, but...