Do Avatars Dream of Electric Sheep?
C James Fagan takes a turn as the Public Avatar, and lets us in on an odd, but liberating, experience… People are often sending me emails about this or that; often they invite...

C James Fagan takes a turn as the Public Avatar, and lets us in on an odd, but liberating, experience… People are often sending me emails about this or that; often they invite...
Meet Keith W Roberts, a photographer honouring the past, whilst remaining firmly rooted in the now… In 1923, alongside Kenneth Burrell, one E Chambre Hardman, returning from active service at the Khyber Pass,...
With the dust barely settling, Gareth Woollam looks at the implications of policy on culture… Listening to the Noise Debate at Static Gallery I realised the wall behind the invited panel hadn’t...
Sarah Creed caught up with Karen Newman, curator at the newly relocated Open Eye Gallery, to talk about the highly anticipated next exhibition, Infra… The Double Negative: You have been the curator of...
A second exhibition from Young Pines, imagining a natural disaster in Liverpool, proves the Mercy interns are no flash-in-the-pan… Tomorrow sees the second artistic project come to fruition from the arts and literature...
A new exhibition opens at FACT on Friday promising to provide a glimpse into our near futures. Just don’t be disappointed if there are no kitchen droids on display. If the previous...
Linda Pittwood gets that anxious feeling, but was it for all the right reasons? A man stands by some trees with blood smeared down his face. He is looking away from you. You...
Come with us as we take a guided tour around Tate Liverpool’s latest exhibition, as seen through the eyes of the artist… It seems to us Tate Liverpool’s current artist in residence is...
Hannah Bitowski’s artwork is beautiful. It is deceptively loose and smudgy, almost childlike in its depictions of bearded and tattooed ladies, Mexican wrestlers, pagan icons. Look harder and her drawings, stitch-work and prints...