Out of This World: Kosmica at FACT
Jon Davies hopes for a stellar evening; a quartet of female speakers his guides… Since mid-December FACT has exhibited Republic of the Moon, a series of lunar inspired artworks, augmented by cult sci-fi film...
Mogadishu – Reviewed
Rachael Jones on a play for our times, but can it live up to its reputation… Following stints at the Lyric Hammersmith and Manchester Royal Exchange, Vivienne Frantzmann’s debut play Mogadishu arrives at the...
Iona Kewney & Joseph Quimby
C James Fagan finds himself left almost dumbstruck by a performance demonstrating the incredible potential of the human form… Part of the programme accompanying Gina Czarnecki’s retrospective exhibition, and featuring in the exhibition...
Oliver Braid: My Five New Friends
For 18 months, artist Oliver Braid has been on a mission; aiming to become friends with the five most attractive male undergraduates from Glasgow School of Art, documenting each relationship, sparing none of...
Departure Lounge – Previewed
Laura Brown is put in mind of Club 18-30 in a LIPA led production at the Unity Theatre… An airport waiting lounge is never a particularly happy place. You’ll note they didn’t film...
Richard Simpkin and Simone Lueck: Richard & Famous – Reviewed
Les Roberts takes in the Open Eye Gallery’s latest exhibition and finds, for some, 15 minutes of fame could never be enough… I’m no fan of the celebrity culture that continually attacks the...
The Big Interview: Alan Yentob
Creative Director of the BBC and John Moores Painting Prize judge, Alan Yentob, takes time out to talk Freud, Liverpool, and a challenging year for the arts… The Double Negative: How did you...
Homeland – Previewed
Home sweet home? We head down to Wolstenholme Creative Space to find out… A homeland is a birthplace, an environment, a sanctuary. The word can also evoke a feeling of place and belonging;...
Artist of the Month: Michael Cottage
Erotic illustration, poster art and comic strips – all in a day’s work for our Artist of the Month Michael Cottage… The thing that strikes you about Michael Cottage is just how unassuming...