10/06/2021
Alice Channer, Ammonite, 2019. Installation view at Lewis's Building, Liverpool Biennial 2021. Photography_ Rob Battersby (1)-web

Time Has A Shape: Ian McMillan On Alice Channer // Liverpool Biennial 2021

“This work takes time. This work marks time. This work is an eclipse of the past And the present.” In a new commissioned text, poet, journalist, playwright and broadcaster Ian McMillan responds to the sculpture of...

08/06/2021
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Culture Diary w/c 07-06-21

Welcome to Culture Diary – a roundup of the current arts, design, film and music events that have taken our eye. Loads of new shows have either opened or reopened recently. So, if...

08/06/2021
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John Moores Painting Prize 2020: The Window

To close our exclusive series published in partnership with the John Moores Painting Prize, Laura Robertson presents a (gross, you have been warned) new short horror story inspired by 2020 China category prize winner, Li...

04/06/2021
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In These Times: Pandemic Conversations – Amy Cummings

“Becoming more resourceful has been a very helpful part of this situation.” For our latest In These Times series in partnership with Liverpool John Moores School of Graphic Design & Illustration, we spoke...

02/06/2021
Simon Buckley, Smedley Road, 9.04pm-web

A Tale Whose Time Has Come:
Dark Days, Luminous Nights

“We are all part of these bricks and mortar, and it is our story to tell.” As a new immersive audio-visual experience prepares to open in Salford, Mike Pinnington takes a look at the...

01/06/2021
Jason Wood. Photo credit Rebecca Lupton -web

Viva México! Jason Wood On His Book Of Mexican Cinema

At the beginning of the twenty first century, director Alejandro G. Iñárritu’s Amores Perros was in the vanguard of a new wave of Mexican Cinema. Since then, a steady stream of filmmakers have enjoyed...

28/05/2021
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In These Times: Pandemic Conversations – Lucy Topping

“Creative students aren’t getting the recognition for how we’ve adapted.” For our latest In These Times series in partnership with Liverpool John Moores School of Graphic Design & Illustration, we spoke to second-year...

27/05/2021
Martine Syms, Borrowed Lady, 2016. Installation view at Tate Liverpool, Liverpool Biennial 2021. Photography_ Rob Battersby-web

Preaching to the choir? Liverpool Biennial 2021: The Stomach and the Port – Reviewed

Surviving a global pandemic and a change of director, it’s a small wonder that Liverpool Biennial 2021 emerged at all. Mike Pinnington, relishing the chance to get up close and personal with art...

27/05/2021
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“Technology will have its own desires.” The Big Interview: Gabriella Warren-Smith, Cognitive Sensations

Having set up Cognitive Sensations in 2018 to research the links between art, science and digital culture, the company’s founder and director Gabriella Warren-Smith has grown with it: from newbie graduate into a writer, curator...

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