As BFI LOVE season presents a 70th anniversary celebration of David Lean’s paean to extra-marital activity and doomed romance, Brief Encounter (1945), Nik Glover takes a look at where love, marriage and deception...
Recreating Hitchcock’s Psycho with paper and light, and changing the way we see nude statues forever: Deb Laing meets resident artist Kristin McGuire at the Williamson Gallery and Museum… Multi-award winning husband and...
What’s hot this week? Our pick of the listings from around Liverpool and the rest of the UK… Monday — Think Cinema Presents: The Blood Of A Poet (1930) 6.30-10pm @ Frederik’s Bar,...
Ahead of a screening and discussion at Cornerhouse tomorrow, Kieran Duffy marvels at the “blisteringly energetic bebop” created for Louis Malle’s New Wave thriller… The legendary musician Miles Davis was a figure at...
Teenage angst, a will to belong and reckless love: George Jepson sees a lot for modern audiences to relate to in Louis Malle’s New Wave thriller… Somehow part of but distinctly separate from the...
Ahead of a Matinee Classics Season screening of the thriller, George Jepson looks again at Laughton’s timeless, “fairytale” reinvention of film noir… From its birth as a commercial and critical embarrassment, to its position as...
What’s hot this week? Our pick of the post-Easter listings from around Liverpool and the rest of the UK… Wednesday — Book Club // Science Fiction: New Death 5.30pm @ FACT Liverpool, FREE “Gripping…...
As Bastards (Les Salauds) enjoys a nationwide release, Toby Hood investigates the evolution of film noir, and the dangers of veering into pastiche… From its beginnings in German expressionism, film noir flourished during...
Casting calls, a whodunnit and a little blue box: Oli Rahman revisits classic Lynch, courtesy of Little White Lies magazine… In celebration of their 50th edition, indie film journal Little White Lies held...