Jennet Thomas: Maggie (close up)

Jennet Thomas’s THE UNSPEAKABLE FREEDOM DEVICE — Previewed

02/07/2015

Deborah Laing looks forward to the Grundy’s new and provocative exhibition – a space for satirical encounters, discussion and performance… Experimental film and installation artist Jennet Thomas joins writers, critics, art historians, theorists and...

Real Painting at Castlefield Gallery: Foreground – Simon Callery, Wiltshire Modulor ll, 2010 Background – Adriano Costa, Piece, 2014

Paint, Activated: Castlefield Gallery’s Real Painting — Reviewed

30/06/2015

On visiting Castlefield’s new show, Daniel McMillan finds artists that shed the illusory surface of painting in favour of the actuality of the ‘stuff’ from which it is comprised… “One must remember that writing...

Untitled, 1950.  Photograph by Hans Namuth Courtesy Center for Creative Photography, University of Arizona © 1991 Hans Namuth Estate

Portrait Of An American Dream: Jackson Pollock & Glenn Ligon Revealed

29/06/2015

Tate Liverpool’s summer show re-evaluates the archetypal heroic American artist, finds Laura Robertson; a presentation that wrestles with its tragic past and troubling present… Where is there to go once you’ve reached the top?...

Forum (detail) Rome, by Robert Walker

“I like things that have a bit of texture and substance”: Robert Walker’s The Classics

25/06/2015

Sara Jaspan meets the latest artist to grace the book-lined walls of the The Portico library in Manchester, and finds herself transported to city streets of a more sun-kissed variety… The Portico library is...

Ed Atkins will exhibit new work at MIF 2015 (image courtesy the artist, Ribbons)

Manchester International Festival (MIF) On A Budget — Our Highlights

16/06/2015

Short on spends, but keen to sample some of this year’s hotly anticipated MIF programme? Look no further than Emma Nuttall’s guide to the best discounts and free events… Well-known for showcasing this...

Lucy Beech: Me and Mine (Cannibals)

“Vibrating pads and gargling salt water”: Lucy Beech’s Me And Mine — Reviewed

15/06/2015

Tupperware, networking and Weight Watchers: Amelia Crouch finds herself drawn into the world of female self-help groups via Lucy Beech’s “ambitious” new solo exhibition at the Harris Museum and Art Gallery… “You’ll be...

Installation view, Modern History vol. I Grundy Art Gallery, Blackpool, 25 April – 13 June 2015 Photography: Jonathan Lynch

Assassination, Space Travel & Regeneration: Modern History Vol. 1 — Reviewed

09/06/2015

Lara Eggleton comes face to face with the unprecedented contradictions of our age at the Grundy gallery’s latest exhibition… Modern History Vol. 1, guest curated by Lynda Morris and organised by Sophia Crilly and...

A Farewell to Damascus (15)

“Speak directly to the heart of another”: Liverpool Arab Arts Festival 2015

02/06/2015

Heather Garner reacquaints herself with a festival that strives to find common ground within different cultures, traditions and geographic landscapes… We live in an increasingly small world and with the click of a mouse or...

Richard Diebenkorn, Berkeley #5, 1953. Oil on canvas, 134.6 x 134.6 cm. Private collection. Copyright 2014 The Richard Diebenkorn Foundation

Immediate And Alive: Richard Diebenkorn At The Royal Academy

27/05/2015

Katherine April Caddy finds herself captivated by the smaller, wilder works of an artist who enjoyed making colour a stranger to us… I knew little about Richard Diebenkorn before attending his retrospective at...

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