Broken Lives: image courtesy Rachel Robichaux

Acknowledging The ‘Untouchables’ — Broken Lives: Slavery In Modern India Reviewed

04/09/2015

Oscar-nominated short film and powerful photography highlight the modern-day, global reality of slavery, finds James West… One of the most common complaints directed at the International Slavery Museum (ISM), based in Liverpool, is that the institution’s representation...

Richard Hamilton: Diab DS-101 Computer 1985-9 (Richard Hamilton Constellation). DLA Piper Series: Constellations on display at Tate Liverpool until summer 2016 © Tate Liverpool, Roger Sinek

Chosen By The Curator: Stephanie Straine’s Favourite Constellations

03/09/2015

OK Computer: Assistant Curator Stephanie Straine talks us through her favourite works in Tate Liverpool’s brand new (and free) national collection show… Promising more than 150 iconic artworks from the 20th and 21st century — including...

Horace Panter, Muddy Waters

Liverpool, Next Stop New York: How Pop Art Embellishes 1950s Aesthetics

31/08/2015

How can Pop Art be redefined for the 21st century? Deb Laing finds Liverpool-based artists inspired by Black American culture trying to do just that at a special exhibition for Liverpool International Music Festival (LIMF)…...

See Syndrome's The Happy Jug on Thursday 27 August 2015 at 24 Kitchen Street, Liverpool -- get donation entry tickets here

Goodbye Syndrome? The Happy Jug Interview

26/08/2015

As they prepare their last experimental arts show of 2015 — a play entitled The Happy Jug — Syndrome talk to C. James Fagan about Proust, the human condition, and replacing actors with concrete...

Joanne Lee, Witches Knickers (2015), detail

A Green And Pleasant Land? Rural Reality Questioned At The Harris

26/08/2015

How do we understand our relationship with our rural peripheries? Sue Flowers considers a mix of creative responses to the British countryside at the Harris Museum and Art Gallery, and finds stereotype and complexity hung side-by-side… On...

Sir Eduardo Paolozzi, 1924-2005, I was a Rich Man's Plaything (detail) (1947). Printed papers on card, 359 x 238 mm © The estate of Eduardo Paolozzi. Image courtesy Tate

A Guide To Pop Art: Paolozzi And The Original Young British Artists

25/08/2015

Who really invented Pop Art? Mike Pinnington finds that a group of young British artists, architects and critics — pre-dating Warhol — are to thank for activating a phenomenally successful art movement… Pop Art: today’s visual...

Louise Bourgeois: Mamelles 1991, cast 2001 (Louise Bourgeois Constellation) © Tate Liverpool, Roger Sinek

Chosen By The Curator: Lauren Barnes’s Favourite Constellations

21/08/2015

Bubblegum pink breasts and wonky vitrines: Assistant Curator Lauren Barnes talks us through her favourite works in Tate Liverpool’s brand new (and free) national collection show… Promising more than 150 iconic artworks from the 20th...

Dr John Cooper Clarke

“As acerbic and honest as ever”: John Cooper Clarke (Live) — Reviewed

18/08/2015

Sue Flowers finds the Bard of Salford in top form as he plays a low key gig in Yorkshire: satirising the BBC, dementia and the gentrification of Manchester… The place is Bentham, North...

(detail) Sir Eduardo Paolozzi, 1924-2005 Sack-o-sauce 1948 Printed papers on card 356 x 264 mm © The estate of Eduardo Paolozzi. Image courtesy Tate.

Chosen By The Curator: Darren Pih’s Favourite Constellations

11/08/2015

From surreal masquerade to a Jackson Pollock parody, Exhibitions and Displays Curator Darren Pih talks us through his favourite works in Tate Liverpool’s brand new (and free) national collection show… Promising more than 150 iconic artworks...

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