With issues taking the form of radioactive time-capsules about misinformation, or (most recently) exhibitions about terraforming, Jacob Charles Wilson’s love for Mould Map lies in its format-changing, “ugly”, and abrasive commentary… It’s increasingly...
Who will win the inaugural Hepworth Prize for Sculpture? Deborah Laing visits its accompanying exhibition in Wakefield, by four well-known nominees making a “significant contribution” to the field… “As the sculptural idea is...
This year’s Brighton Photo Biennial offers an invigorating insight into subcultures, fashion, youth, race and gender, finds Laura Robertson… There are three strong shows making up this year’s Brighton Photo Biennial. Namely, a...
Tom Emery on the OutsiderXchanges exhibition: where learning disabled and non-learning disabled artists collaborate and exhibit with equal billing. But does it do enough to banish the tired and problematic tropes of Outsider Art? Setting...
Ahead of his major retrospective opening this week at Tate Liverpool, we visit the lovingly preserved former studio and home of Polish artist Edward Krasiński — uncovering ostrich eggs, VAT receipts, blue Scotch tape, toy mice,...
It’s a familiar story of increasing city-centre gentrification. But where does it leave one more arts space facing eviction? Daniel McMillan speaks to the artists of Rogue, Manchester, about paving the way for expensive...
Ryan Gander talks us through his curation of the Arts Council Collection’s 70th anniversary show, Night in the Museum — where the artworks gaze back… In Ryan Gander’s current exhibition at Yorkshire Sculpture...
A collection of door knobs. Unclaimed mail. An ironing board. Through recording the evacuation of one Lancashire community, finds Steve Millington, the artist William Titley has made permanent a series of internal displacements, and the...
Liverpool Biennial artist Audrey Cottin has invited the general public to tell stories using a simple installation of flour and dough. Illustrator Simon Turner has been on hand to translate the in-parts poignant, funny...