The relationship between art and cinema is as old as the silver screen itself. Ashley McGovern reviews a new exhibition exploring this tradition… Purveyors of clickbait like to play amateur detectives, luring us...
As Hull’s provision for BA Hons Art & Design looked doomed, artist Paul Collinson outlines exciting new initiatives waiting in the wings… This time last year I was writing about the sad demise of...
When we visit an exhibition, what exactly are we paying attention to? Yin Ying Kong opens one of her sketchbooks, made while at the British Museum’s major Hokusai show, to think about the duration,...
A new presentation of Biennial works at a pair of venues in Lancashire triggers fond memories while foregrounding urgent cultural issues, finds Siobhán Forshaw… When we were kids, our mum used the local library...
How to test the water of contemporary art? Jerwood Art’s Survey, on display at the Bluecoat, sets out to do just that. Mike Pinnington reviews… Opening last year at Jerwood Arts, Survey –...
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Vibrant, colourful and packed with signs and symbols, Keith Haring’s work resonates to this day. Mike Pinnington recounts meeting his friend, confidant and Executive Director of his Foundation, Julia Gruen… “I know that...
What does it mean to be sixteen now? Joshua Turner explores a photographic project looking to get to the very root of that question… Portraiture is a mysterious pursuit. In Sixteen, a photographic...
“I wanted critical feedback that would challenge me to produce the best writing I can.” Denise Courcoux on her time on The Double Negative’s inaugural Fellowship, how it has affected her writing and raised...
His latest novel The Madonna of Bolton was rejected more than 30 times by mainstream publishers for, among other things, being “too gay”. Author Matt Cain chats to Mike Pinnington about the book, the...