“Silences talk to us.” Aileen Walsh turns to and finds parallels in Edward Hopper, ‘lyricist of isolation’, in contending with our current predicament… Today is just like any other. The sameness is driving...
In a new series commissioned exclusively for us by the John Moores Painting Prize, playwright Marjorie H Morgan selects a trio of works that speak to Black life lived large from mother to son… Wandering,...
In a new series commissioned exclusively for us by the John Moores Painting Prize, playwright and Costa prize-shortlisted author Jeff Young presents a new text on one of this year’s selected artworks: Lara Cobden’s A...
“Structural inequalities exert pressure upon individuals.” Elaine Speight on a necessary and urgent rethink in considering the needs of cultural workers with children… Early last February, I was invited to give an online...
With the postponed Liverpool Biennial now underway, Mike Pinnington set off in search of meaning, and five new public realm artworks… As you’re no doubt aware, this week marked a full year since...
“River of Light is a tonic.” Pete Goodbody on the festival we need after a challenging twelve months… One year after lockdown was imposed, Liverpool slowly emerges, with tiny steps to take a...
From Windrush heroes to club culture to talking dogs: all you need to know about the upcoming British Art Show 9… Name: British Art Show 9 (#BAS9). As in, the ninth version: it’s...
Victorian red-brick semi or visionary environment? Denise Courcoux finds Ron’s Place, in Birkenhead, is both… The Victorian red-brick semi appears unremarkable at first glance. Set back from a side road in Birkenhead, and split up...
In this extract from Jennifer Higgie’s forthcoming new book, The Mirror and The Palette, the author addresses centuries of sexism by omission in the art world… “Anyone who wanted could cite plentiful examples of exceptional women...