Holy Motors – Un Film de Leos Carax
DW Mault finds himself very much at home in the strange and wonderful world of Leos Carax… Cinema is a home for dreamers, misfits and deadbeats. It’s been 13 long years but Alex...

DW Mault finds himself very much at home in the strange and wonderful world of Leos Carax… Cinema is a home for dreamers, misfits and deadbeats. It’s been 13 long years but Alex...
Film Podcast #9: Our Top Ten Films of All Time by The Double Negative on Mixcloud Special edition! DW Mault and our panel of writers, film critics and filmmakers introduce their top ten...
With Liverpool Psych Fest on the horizon, Amy Jones looks at psychedelia’s journey into the world of cutting edge technology and contemporary art … The Liverpool International Festival of Psychedelia has got us...
Monday – Beetlejuice 8.45pm @ FACT Of the entire Tim Burton canon, Beetlejuice is perhaps correctly considered the passion project. His breakout movie, it is the film which introduced Burton’s brand of macabre...
Artist Andrew Bracey professes his love for the clattering roar of the projector, and how it inspired his most recent exhibition at Transition Gallery and Hackney Picturehouse … My eyes were opened to...
Nik Glover takes a look at cinema’s ongoing fascination with compulsion… We are in a nameless bar in New York. A man is seated at the counter, his attention elsewhere, drinking alone. A woman...
Today’s the day! Our Biennial event The Medium is The Medium is here… Curated by us and Liverpool Biennial 2012, we wanted to talk about why critical writing is important in a mature and thriving...
Amy Roberts provides a filmic spin on Hospitality and The Uninvited Guest… When I’d read that Guardian art critic Adrian Seale had described this year’s Biennial theme of Hospitality and The Unexpected Guest...
Hobnobbing with foreign artists over a glass of Hennessy and emptying wheelie bins into a skip: Lucie Fialova reveals the glamorous life of an arts intern… When I first joined the Biennial Volunteer Media Team,...